
People often imagine writing a book ends when the author types The End.
I wish.
This week I completed the final revision of Countess of Cons, my upcoming historical narrative about one of the Gilded Age’s most fascinating con artists. It’s a milestone worth celebrating—but it’s far from the last step.
A finished manuscript is only the beginning of the publishing process.
Now comes formatting, where the manuscript becomes an actual book. Every chapter heading, page break, ornament, font, drop cap, and margin has to work together. Then comes proofreading all over again—because somehow new typos always manage to appear once words move onto a printed page.
After that come print proofs, one final round of corrections, and the careful preparation required before uploading the finished files for publication.
Not to mention all the work that goes into cover design and back cover copy.
For the first time, the project stops looking like a manuscript and starts looking like the book readers will eventually hold in their hands.
As both a writer and a genealogist, I’ve learned that details matter. The same attention that goes into verifying a historical fact goes into making sure a chapter begins on the right page, a scene break falls naturally, and the reading experience feels effortless—even though a great deal of effort went into creating it.
So, while the writing is finished, the journey isn’t.
Over the coming weeks I’ll be sharing a few behind-the-scenes glimpses of the production process as Countess of Cons moves from manuscript to published book.
After years of research, writing, revising, and refining, the finish line is finally visible.
And I can’t wait to share the finished book with you.
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